Emma Boseley Collaborators
16x20 Print George Angelovski

In 1974, George Angelovski grew up in an Australian/ Yugoslav household near the former Kodak site located at 173 - 199 Elizabeth Street, north of Coburg. In 1999, he found himself studying Graphic Design at the Swinburne University of Technology and in a very brief and junior role, he was an intern for Visnja Brdar.  Between 2015 and 2018, George was devoted to a Master of Fine Arts with concentration in photography at the Transart Institute for Creative Research, began a dialogue with a diverse faculty of creative artists that included Polixeni Papapetrou, Jean Marie Casbarian and Issac Jarnot (formerly Lisa Jarnot); and taught himself to subconsciously aggrandise a way of seeing the world with creative risk.

Exhibitions and screened work span nationally and internationally which include: Melbourne Design Week (2022), Singapore Art Week (2021), Martin Kantor Prize (2021), Olive Cotton Award (2019), Fisher's Ghost Art Award (2019), with honourable mentions at the Julia Margaret Cameron Award (2020), San Francisco Bay International Photography Awards (2020) and International Photography Awards IPA (2020, 2028). In 2025, Der Greif guest judges Joanna Zylinska & Yanai Toister and Mullins Conceptual Photography Prize adjudicator Antares Wells curated his inventive carbon pigment process. 

Cyanotype with CO₂ ink
Melbourne, Australia
2025

From rapturous states and divine visions of the cyanotype, each panel was made with my mother, using a traditional food recipe and CO₂ ink. Immediately, natural elements like flour, water and air enigmatically wield Redon's “dark world of the indeterminate.” In the reveal, the apparition of things developed, outlining interior arrangements, ecological breath and matrilineal meanings. This convulsive beauty of household activity was felt rather than seen to somehow imagine what troubles harmony on two-dimensional surfaces.

 

Pick up from our Fitzroy showroom 198 Gertrude St, L1

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